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Batman: Knightfall | DC Database | FANDOM powered by Wikia

A fun, single-author anthology set in a magical, medieval-like world. Likable characters, a bit of world building, interesting intertwined stories. Jun 01, Ami rated it liked it Shelves: mm-fantasy-pnr-futuristic-scifi. Topaz as a dragon was amusing. Loved how Topaz teased Bran about Bran wanting to kill himself by, well, challenging a dragon. I loved his squire though, Victor. He was adorable!

He was so sweet!! The development between Victor and Shahzad was believable as well. PS: rating rounded down because of all of the typos. I'm used to the lack of editing quality coming from the re-release of this author, but seriously, they are a LOT in here May 25, Relly rated it liked it Shelves: read , 3-and-a-half-stars. Good 3. Bran and Topaz - a good start. I liked the way Bran worked to do what was right in the North and help the people. Dunstan only appeared at the very end. I liked Trey and enjoyed seeing him use his heritage.

Vincent and Shahzad. I enjoyed this one.

All reviews for: The Drenai Novels

I loved that Vincent found a home and Good 3. I liked that they all interconnected and the storyline followed through. View 2 comments. May 19, Katy rated it liked it. May 24, Juli rated it liked it. The author's oldest work, she says, and its age shows.

Here's another angle for a better look at the beverages (one light, one dark)

This is true, as her writing has improved a lot since then, but it seems I like her older works better than her new ones. Still, could have used checking for grammatical errors and even more a thorough editing. But the stories invoke the feeling of fantasy and fairytale that I've come to love about a lot of Derr's books. May 24, Anna Hord rated it liked it.

Short and simple The stories were short and almost too simple. They each could have easily been twice as long. The romances and plots all felt very underdeveloped and the conflicts where solved almost all out of scene. May 19, Victoria Taylor rated it it was amazing. Sweet interconnected short love stories set in a far away land with dragons, magic, and knights.

Little bites of awesome. The audio version of Knights: The Eye of Divinity is now on sale. It turned out excellent and provides a new way to enjoy the book. The rest of the series will soon be available in audio format as well.

  1. A Trilogy of Knights by Megan Derr.
  2. Anthony W. Phills - Knight Trilogy: A gripping CIA must-read series adventure;
  3. The Dark Knight Rises - Wikipedia.
  4. Streetpoet.

I am currently working on two new books in the series and making good progress. May 23, Audio production for "Knights: The Eye of Divinity" should be completed soon. My next post on the topic will be a link to the finished product. I'm currently working on "Knights: The Beast Below" which will likely feature cover art that hasn't been revealed yet and "Knights: The Blood of Kings" at the same time. Since the two books are linked by certain events, it's actually helpful to transition back and forth between them.

I expect "The Beast Below" to be finished first. Although the promotion has ended, the benefits have continued. May 7, The cover art for "Knights: The Blood of Kings" is complete. This is book 4 of the Knights Series and the first book of the second trilogy. You can view the cover art here.

April 24, So it's actually a sort of companion novel to the "Eye of Divinity" or an extension of that first book. The characters are younger, but new abilities will be revealed as well as new elements of the Dark Watchmen and the Deep Shadow that will set the stage for future books. April 23, If I missed responding to anyone, it was unintentional and you might want to check your spam folder or send again.

  1. Black Market Baby?
  2. Understanding Human Values.
  3. Ein Kerl zur Brotzeit: Roman (German Edition)!
  4. A Trilogy of Knights.

Sometimes there can be quite a delay before I'm able to respond, but for now, at least, my goal is always to send a response. April 17, The audio version for "Knights: The Eye of Divinity" is in production. I'll post more information on this later. April 4, Click on the cover for purchase information. March 5, I received some good news today from Mark Coker of Smashwords. I would like to thank both Smashwords and Apple for this promotional opportunity.

You can find more information concerning this promotion at the Smashwords blog, found here. I've extended the length of Knights: The Heart of Shadows a bit, but I'm hoping to have the book published by the end of this month, depending on how long the editing takes. We spent our whole careers looking in the wrong direction!

I hunted down muggers and burglars while the real monsters took power unopposed! Since risks cannot be controlled by existing institutions in the contemporary moment, the responsibility defaults back to the individual Beck However, the individual lacks knowledge of the precise nature of the threat as well as authority to enforce decisions.

DKR pushes the Batman character to face precisely this tragic responsibility through edgework.

Full text issues

At the moment that the superhero becomes vulnerable to the risks he takes, his action becomes edgework in the sense that it puts him in the space between certainty and uncertainty, control and loss of control, life and death. The superhero as edgeworker is not the redeemer who is able to neutralize risk, he or she engages the world at risk and embraces its uncertainties. The Dark Knight series highlights the ways in which edgework allows masculinity to fall apart and remain mobile, even to the point of giving up its ties to maleness.

DKR and DK2 engage this dynamic in a specific, and partially self-reflexive, context: they address the ways in which the media, particularly television and the Internet, stage risk in the tension between knowing and non-knowing. In particular, both texts juxtapose media images that anchor the narrative present in the historical mids and early twenty-first century respectively vii , featuring recognizable versions of Ronald Reagan, David Letterman, and Dr. Ruth Westheimer cf. Blackmore 43; Harris-Fain , with the fantastic elements of the superhero genre.

On one level, the graphic narratives satirize and critique the media for its spurious representation of the narrative world; on another level they show how the media does not falsify risk so much as stage it in a way that is symptomatic of the unresolved tensions between competing knowledge and withheld information. DKR makes the split between media images and the narrative world visible by using two different panel shapes: the regular, rectangular panels and panels shaped like television screens.

  • Olivia of the Chickens.
  • Cartels & Combinations.
  • Primary Sidebar.
  • Pleasured by the Pack (Blue Moon Brides Book 2).
  • LUsine (FICTION) (French Edition)?
  • Kofoed, "Breaking" par. DK2 takes the critique of the media a step further by eliminating the visual distinction between media images and images of the narrative world: all the panels are rectangular, regardless of whether they represent actions in the narrative world or their representation in the media. Strikingly, the contrast and confrontation between Batman and Superman in DK2 serves as a structural analogy to the ways in which media report perceived risks. There is extensive reporting on the supposed activities of Batman, and many reports clearly conflict with the way in which Batman is represented in the panels.

    In DK2, no one has enough information to make informed decisions.

    Knights of Dark Renown by David Gemmell

    Information is exchanged, but worthless, disregarded or misinterpreted. Reports on Batman and his various antagonists turn out to be catastrophically false, although they are usually based on seemingly valid information. Contradicting expert opinions are placed next to each other and make effective action impossible. The most prominent example perhaps is Dr. Wolper, the Joker's psychiatrist in DKR, who is ultimately killed by his supposedly recovered patient, dramatizing the way in which proliferating scientifically validated knowledge leads to non-knowing Miller, DKR The voice of the expert is put on display, revealing it as misguided in the very moment he emphasizes his expertise.

    The mysterious ending of DK2 provides another extreme example for doubtful expert opinions. The only difference between the religious leaders and the scientists is that the scientists admit their inability to know the exact nature of the phenomenon. However, what is new in the superhero of the world risk society is the way in which the failure of experts to provide reliable knowledge corresponds with a systemic inability to make informed decisions.

    Why The Dark Knight is My Favorite Movie Ending

    As the nuclear warhead of the Soviet Union approaches the island of Corto Maltese, for example, the media fail to acknowledge the possibility for a complete shutdown of electricity and a nuclear winter Miller, DKR Over the course of DKR, the media anticipate all kinds of crises, but the nuclear winter remains an unanticipated catastrophe. Here, the discrepancy between the immediate representation in the regular panels and the representation in the television panels becomes most obvious.

    The newspaper snippets that frame both DKR and DK2 as well as the edition of Year One each frame the respective text in a different context of risk. More importantly, however, they reveal a hierarchy of news media from print to television to the Internet that constitutes less conservative nostalgia than a parallel to the history of the risk society from the s to the early twenty-first century.

    These two texts envision a dystopian future threatened by anthropogenic apocalypse and characterized by non-knowing and indecision. Furthermore, the Dark Knight series capitalizes on the relationship between individual risk-taking behavior and the sense of global risk and uncertainty. Its deployment of edgework, however, is not an escape from turn-of-the century American fears and anxieties. To the contrary, this Batman absorbs these anxieties through his massive body, battling a succession of supervillains that come to represent failed versions of American masculinity.

    Beck, Ulrich. World at Risk. Cambridge, UK: Polity Press, Blackmore, Tim. Wiley Online Library. Booker, M. Keith, and Anne-Marie Thomas. Brooker, Will. Batman Unmasked: Analyzing a Cultural Icon. New York, NY: Continuum, London, UK: I. Tauris, Coogan, Peter. Superhero: the Secret Origin of a Genre.

    Austin, TX: Monkeybrain, DePalma, Anthony. Dubose, Mike S. Finigan, Theo. London, UK: Sage, Geography in America at the Dawn of the 21st Century. Greenblatt, Jordana. Harris-Fain, Darren. Heise, Ursula K. Kaiser, Mario, et al. Berlin: Springer, Kaveney, Roz. Kofoed, D.

    Kevin K.