Don Cheadle. Number of films: 35 Highest-grossing movie: Avengers: Infinity War. Bradley Cooper. Number of films: 27 Highest-grossing movie: Avengers: Infinity War. New Line Cinema. Ian McKellen. Number of films: 32 Highest-grossing movie: Beauty and the Beast. Johnny Depp. Idris Elba. Number of films: 32 Highest-grossing movie: Avengers: Infinity War.
Stanley Tucci. Number of films: 55 Highest-grossing movie: Beauty and the Beast. Eddie Murphy. Number of films: 39 Highest-grossing movie: Shrek 2. Tom Cruise. Number of films: 40 Highest-grossing movie: War of the Worlds. Anthony Daniels. Andy Serkis. Getty Images. Number of films: 49 Highest-grossing movie: Avengers: Infinity War.
It is short and a very fast read. It is a quick dirty intro to acting on film, right down to marks and continuity.
I had already learned most of his lessons in terms of film sets but it was a nice refresher and reminder especially about not getting in people's way. I tend to be so goofy happy to Notes for me: This was a re-read for me. I tend to be so goofy happy to be on set that I tend to hang out too much. Good to remember that as a professional part of my job is not being in the way. Of course Caine's jobs are regularly a much bigger budget than mine I liked the simplicity of his approach to acting. Tell the truth. Do less. The camera has your back.
Film acting is indeed different from theater acting, as Michael Caine is quick to point out. There is a lot of technique involved in order to effectively portray a role on camera. On stage, a thespian can be broad, and loud, and open. On camera, the actor must condense one's body and voice down to specific gestures and movements Blinking on camera is not recommended for those who wish to portray strength.
A keen awareness of picture continuity is essential in insuring an actor's valuable time on screen, in addition to increasing a thespian's chances of being hired again.
- Il tappeto magico (Italian Edition).
- No Film School;
- 10 Lessons in Film Acting from Michael Caine.
- Acting in Film: An Actor's Take on Movie Making by Michael Caine;
All this plus an awareness of breath, relaxation, and human psychology will help turn a stumbling film and television actor in a great one. The author also goes into the importance of professionalism and behavior on and off set with members of the cast and crew, as well as the Do's and Don'ts of how to deal with troublesome actors and directors, as well as dangerous stunts.
Again, "Acting In Film: An Actor's Take On Movie Making" felt more like an extended pamphlet rather than an actual book, yet Michael Caine's advice to the actor, however brief it may be, holds enough merit to make the tome not a complete waste of time. Aug 29, Alex rated it really liked it. Great advice on acting and life I read this in one sitting. It's mostly pictures and the type is large.
In all it's a quick read with some interesting ideas especially for people who want to be actors.
Top 10 Mistakes Actors Make on Their Showreels
May 14, Yosef Beyene rated it it was amazing. If you're interested in being an actor for film, this is essential reading. Jul 19, Jon Schiefer rated it really liked it. It's hard to imagine a stage in an actor's career when this wouldn't be useful. Michael Caine is brilliant.
How often does an actor of his caliber talk about how it's done? Yeah, I liked it. Mar 14, Trevor Mazzaglia rated it liked it Shelves: I was hoping for more insight on techniques in front of the camera - similar to Michael Caine's great acting masterclass from I believe , which can be found on YouTube. Instead, I found most of the book explaining how to professionally conduct yourself on a film set and less talking about acting specifically.
I think if you can find this book for cheap, it's worth a read. Definitely, check out his masterclass on YouTube. Most of the acting topics that are covered in the book are explained I was hoping for more insight on techniques in front of the camera - similar to Michael Caine's great acting masterclass from I believe , which can be found on YouTube. Most of the acting topics that are covered in the book are explained in more detail in the masterclass. Apr 11, Salli rated it really liked it. This was a great read- even if you are not into learning about the acting process.
I found it insightful and funny and really useful and delivered in the way only Michael Caine can. I will definitely try and incorporate some of his tips in to my acting classes.
May 23, Edgar rated it really liked it Recommends it for: Actors and Theater arts fans. Michael Caine does a good job of taking you on a journey of advice for acting in films. He shares his advice based on his experiences covering what to do before and during the take as well as actor etiquette on set.
Nov 04, Sheldon Watkinson rated it it was amazing. I found this book gets the reader to understand more than the acting itself but a better understanding of everything going on around the set with the crew to better prepare oneself with each scene. Very straightforward advice from an accomplished actor. Quick read, but I wish it was longer! Jul 05, Shaun Mazerall rated it it was ok. Short and basic. Oct 21, Xander rated it it was amazing. Oct 02, Michelle rated it it was amazing.
How to Be a Film Actor: 14 Steps (with Pictures) - wikiHow
A short book with practical tips about working in the film industry. Worth the read if you want to work in the film industry in some way. Nov 21, Mike rated it really liked it. This was a shorter book than I expected. Nevertheless, it has a great deal of valuable advice, especially for actors working in the movies. I don't anticipate doing this myself in the near future, but I do a bit of acting on stage as an amateur and some of what Caine says here is applicable to that.
I like his basic down to earth approach, no frills, just good solid hard work. It's his professionalism that shines through in this book. Don't think of being an actor a professional one, anyway This was a shorter book than I expected. Rehearsal is a process in which actors prepare and practice a performance, exploring the vicissitudes of conflict between characters , testing specific actions in the scene, and finding means to convey a particular sense.
Some actors continue to rehearse a scene throughout the run of a show in order to keep the scene fresh in their minds and exciting for the audience. Simply put, while public performances cause extremely high stress levels in actors more so amateur ones , the stress actually improves the performance, supporting the idea of "positive stress in challenging situations" . Depending on what an actor is doing, his or her heart rate will vary. This is the body's way of responding to stress. Prior to a show one will see an increase in heart rate due to anxiety.
While performing an actor has an increased sense of exposure which will increase performance anxiety and the associated physiological arousal, such as heart rate. Often the heart rate will return to normal after the show or performance is done;  however, during the applause after the performance there is a rapid spike in heart rate. There is a correlation between heart-rate and stress when actors' are performing in front of an audience.
Actors claim that having an audience has no change in their stress level, but as soon as they come on stage their heart-rate rises quickly. There are many factors that can add to an actors' stress. For example, length of monologues, experience level, and actions done on stage including moving the set. Throughout the performance heart-rate rises the most before an actor is speaking. The stress and thus heart-rate of the actor then drops significantly at the end of a monologue, big action scene, or performance.
Stress, therefore, has a bigger impact on the actor's overall performance whether motivating or pressuring them to give a more proficient end performance. From Wikipedia, the free encyclopedia. For the legal meaning, see Acting law. For the military sense, see Acting rank. Main article: History of theatre. Further information: Actor and Amateur theatre.
Further information: Drama school. Further information: Improvisational theatre and Devised theatre. Sci Elo Brazil. Retrieved 13 March Cogn Emot. Nature Reviews Neuroscience. Psychological Reports. The American Journal of Cardiology. Empirical Analysis of emotion processes in the theatre". The sense of the creator of plays as a "maker" rather than a "writer" is preserved in the word " playwright.
The word 'dramatist' "was at that time still unknown in the English language" , Daily Actor. Retrieved 16 November Showbiz Term of the Day ". Speech Monographs 30 : 92— Lazarus; Susan Folkman 15 March New York Springer. Exp Brain Res. Basic and Applied Social Psychology. Boleslavsky, Richard. New York: Theatre Arts, Benedetti, Jean. Stanislavski: His Life and Art. Revised edition. Original edition published in London: Methuen. Brustein, Robert. Csapo, Eric, and William J.
Acting in Film: An Actor's Take on Movie Making
The Context of Ancient Drama. Ann Arbor: University of Michigan Press. Elam, Keir. The Semiotics of Theatre and Drama. New Accents Ser. London and New York: Methuen.