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Manual Politique, démocratie et culture aux Etats-Unis à lère du numérique (French Edition)

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The Lumen Prize celebrates the very best art created digitally by artists around the world. Its goal is to celebrate the power and potential of this exciting genre through an annual competition and global tour of works selected by an eminent panel of judges. Since , Lumen has staged more than 20 shows and events in more than 10 capital cities around the world, including New York City, Shanghai, Athens, Amerstdam, Riga, Cardiff, and London. In partnership with its academic partners, Lumen holds seminars, artist talks and symposiums at nearly all of its shows.

All entry fees to the prize are allocated to the prize fund and global tour. This book includes a number of interactive installation projects, dedicating particular attention to how designers convey their message. Instead of accepting information passively, in an interactive installation the audience is encouraged to communicate directly with the art.

This book is divided into three parts: immersive installation environment , experimental installation technology , and feedback installation engagement. Featuring examples drawn from 3D-rendered images, photographs and video projects, this book will explain the relationship between art and technology, and explore some of the ways these fields can be combined. It is a high-quality and practical guidebook, to accompany any interactive installation art exhibition.

Once regarded as a permanent paradise, the "natural" world has become an elusive last refuge of the wild. The Last Frontier examines the tension between nature, culture, technology, and the built environment through works of art. Faced with globalization, oil spills, overbuilding and overpopulation, artists have both documented and recreated their environments.

Where artists at one time recorded their pristine surroundings, now advances in technology allow for fabrication of that open, infinite universe. A-part festival international d'art contemporain Alpilles Provences Edition A-part pages Exhibition catalogue. It has won the support of artists, organizations and public, that make a strong presence each year.

It is organized for the sixth consecutive year and each edition is a bold step forward. ISEA was the most attended to date with almost attendees, the last count we had was of , and it had over artists— the ones we could account for who participated and engaged with the city in multiple ways, authorized and non.

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The exhibition Uncontainable was part of the official Parallel Program of the 12th Istanbul Biennial, which allowed participating artists and curators to provide diverse perspectives on contemporary developments within fine arts aesthetics. The issue explores the impact of technology in art as well as the meaning, possibilities and issues around human interaction and engagement.

Touch and Go investigates interactivity and participation, as well as light art and new media approaches to the public space as tools that foster engagement and shared forms of participation. The Exhibition features 66 works by approximately 75 artists from 25 countries. Sound Art 1. The exhibition "Sound Art. Sound as a Medium of Art" presents for the first time the development of sound art in the 21th century at the ZKM Media Museum and in a public space.

However, focus is placed on contemporary practices: with works from 90 artists from which approximately 30 new productions from recent years will be represented, the visitor gains insights into the unique sound cosmos of contemporary art. The sound world visualizes its own exhibition architecture, and the exhibition visitor himself becomes the generator of sounds.

Visual experience dominates in numerous exhibitions. Sound as a Medium of Art" emphasizes auditory experience and transforms the visual experience. The visitor is thus provided with the opportunity to become acquainted with an entirely new sound cosmos, which neither radio, film nor the music industry has been able to establish to such an extent. Sound as a Medium of Art" makes new sound perceptions not only experienceable in the museum: passers-by may encounter sounds in the three installations located in the forecourt of the ZKM and five installations in public areas around the city of Karlsruhe.

Included are the "unheard avant-garde" from Scandinavia, the Broken Music Archiv from Berlin and curated audiopoints from european archive inventories. They can act as artists, curators and producers. Visitors to the exhibition are central as users, as emancipated consumers. YOU are the content in this exhibition! YOU are the user of the world and part of the world, and with that a participant in the world. Whoever is a part of the world also bears some responsibility for the world, of which they are a part. Through their participation, the YOU, the user, has the chance to change the world.

In the most technologically advanced environments and installations, the most recent state of the art of participation, pARTicipation, is being shown. That reinforces that tendency, which becomes established in the spirit of the enlightenment for democracy, for untrammelled access to education for all and for the creativity of all. The symposium as much as the competition and special presentations made by invited authors and curators attempt at determining the dyna mism of this expanding space.

We struggle to put sonic interactions into words - and that is why an exhibition with real examples of sonic interaction design is the best way to experience this new field of research. It allows you to get your hands - and ears - on interactive works that showcase how sound can facilitate interaction in product design, mobile media, communicating scientific data, interactive art, and more. That is the definition that has guided a four-year exploration of this innovative and interdisciplinary domain. Quelles sont les relations entre art, recherche et entreprise, art et innovation?

We decided to address the subject through a non-anthropocentric perspective.

Jean-Yves Mollier - Wikipedia

Studija Nr. Each episode attempts to capture the fleeting moment of fascination and genius present in the process of artistic exchange. The contemporary muse breaks free of conventions, her kiss of art does not discern between robot engineers, conceptual animators or graphic designers. Such ephemeral instances of warmth can now be communicated between a machine and a human by means of intuitive interfaces. Gunnigle, G. McMahon, M. O'Sullivan Eds. Henly, Susan J. Tony J.


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1. L'archivage à l'ère du numérique

One of the hallmarks of citizenship is employment or self-employment. Work not only enables us to earn remuneration to support ourselves and our families, but it enables us to contribute to the growth of our nation through the utilisation of our skills. Yet in countries like Canada and Australia, persons with disabilities are a forgotten cohort.

This is because our levels of employment or of self-employment are far lower than is the case with other groups, except perhaps for first nations peoples. Not until the levels of employment and of self-employment are improved for persons with disabilities will most disabled persons attain full and meaningful citizenship. In this presentation, first, I shall examine article 27 of the United Nations Convention on the Rights of Persons with Disabilities CRPD which exhorts governments to implement programs to facilitate the undertaking of work in the open labour market by persons with disabilities.

Finally, a brief exploration of the work undertaken by the ILO on the employment of persons with disabilities will be undertaken. Consequently, the efficacy of defending and advancing is declining. By contrast, in the global south workers are learning and deploying not only the historical tactics of workers in the global north but also developing some new techniques and tactics. This suggest that the direction of knowledge should be from the south to the north in the transnational workers' movement. However, the effects on the labour market were different from those experienced in all other previous economic crises.

Employment did not decline as expected and unemployment did not rise. Moreover, youth unemployment did not increase, in contrast to experience in virtually all other European countries. It will be shown that state-subsidised short-time working arrangements were not alone in preventing a collapse in unemployment but that a key role was also played by several other working time instruments incorporated into collective agreements concluded between trade unions and employers.

Nor should the role of the parties to collective bargaining in avoiding an increase in youth unemployment be overlooked either. Shop stewards are the main drivers for cooperation at the company level and the importance of the role of the shop steward has further increased in the context of the decentralization of collective bargaining. It started with a discussion of HR-related challenges multinational corporations MNCs are facing in the dynamic and highly competitive global marketplace.

Pour quels changements? Comment outiller les acteurs? Media are not, however, merely image and sound machines; they are also interfaces in the construction of new realities and new forms of communication. We communicate, negotiate and act through media. The transformation from visual to social media makes clear that the use of media is a vital factor. Media are performative. Their impact is ubiquitous and long-lasting. That is why we speak not only of pictures, but rather of picture acts Bildakten , not only of language, but of language acts, not only of perception but of acts of perception.

Actions have become art forms. Artists today are less in search of subjective expression. Rather, their frames of reference are social systems and scientific structures and methods. This is the reason for new research areas such as art and science labs and art-based research. Scientization of art is beginning to emerge as it did during the Renaissance, creating a sort of Renaissance 2.

Riess, robotlab, Hermann J. The field of creation too. The limits of our own 5 senses are constantly postponed by new discoveries and inventions getting from experimental to common use. We wonder often how we could do in the past without technologies which appears today totally essential. Digital revolution never finished to transform our world so fast that sometimes we can't understand these phenomenons.

Questioning relations between humans and their environment, these works Amidst the global challenges of climate and ecological crises that threaten the very existence of humanity, the exhibition TransLife reflects on the whereabouts of humankind in relationship to nature through an unique perspective and philosophical speculation, calling for citizen participation in facing these imminent challenges with artistic imagination to advocate a new world view of nature and a retooled humanist proposition.

The exhibition is structured by three thematically related components that gradually progress from the discovery of new sensorial potentials that extend our cognitive capacities to the emergence of multiple life forms to biodiversity and an exploration of the symbiosis of cohabitation, revealing emerging concepts of life and provoking contemplation on the biosphere. In doing so, the exhibition also strives to reassess the historical roots and epistemological foundation of the current ecological and environmental predicament, interrogating the notion of subjectivity inherent in the project of modernity and the anthropocentrism derived from that tradition.

The main ISEA exhibition, Machine Wilderness, features work that combines art, science, technology and nature, demonstrating the role art can play in re-envisioning the world. The more than artists are from 16 countries. The exhibition was juried and curated through an international call for proposals. Three chapters present aggregated trends.

The exhibition focuses on current and visionary research, in addition to contemporary artistic positions.

The spotlight is on the new; old structures dissolve in the darkness. This combination of ruins and enchanted forest allows the search for the future to commence. Hortus 2.


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The Lumen Prize celebrates the very best art created digitally by artists around the world. Its goal is to celebrate the power and potential of this exciting genre through an annual competition and global tour of works selected by an eminent panel of judges. Since , Lumen has staged more than 20 shows and events in more than 10 capital cities around the world, including New York City, Shanghai, Athens, Amerstdam, Riga, Cardiff, and London.

In partnership with its academic partners, Lumen holds seminars, artist talks and symposiums at nearly all of its shows. All entry fees to the prize are allocated to the prize fund and global tour. This book includes a number of interactive installation projects, dedicating particular attention to how designers convey their message. Instead of accepting information passively, in an interactive installation the audience is encouraged to communicate directly with the art.

This book is divided into three parts: immersive installation environment , experimental installation technology , and feedback installation engagement. Featuring examples drawn from 3D-rendered images, photographs and video projects, this book will explain the relationship between art and technology, and explore some of the ways these fields can be combined. It is a high-quality and practical guidebook, to accompany any interactive installation art exhibition. Once regarded as a permanent paradise, the "natural" world has become an elusive last refuge of the wild.

The Last Frontier examines the tension between nature, culture, technology, and the built environment through works of art. Faced with globalization, oil spills, overbuilding and overpopulation, artists have both documented and recreated their environments. Where artists at one time recorded their pristine surroundings, now advances in technology allow for fabrication of that open, infinite universe. A-part festival international d'art contemporain Alpilles Provences Edition A-part pages Exhibition catalogue.

It has won the support of artists, organizations and public, that make a strong presence each year. It is organized for the sixth consecutive year and each edition is a bold step forward. ISEA was the most attended to date with almost attendees, the last count we had was of , and it had over artists— the ones we could account for who participated and engaged with the city in multiple ways, authorized and non. The exhibition Uncontainable was part of the official Parallel Program of the 12th Istanbul Biennial, which allowed participating artists and curators to provide diverse perspectives on contemporary developments within fine arts aesthetics.

The issue explores the impact of technology in art as well as the meaning, possibilities and issues around human interaction and engagement. Touch and Go investigates interactivity and participation, as well as light art and new media approaches to the public space as tools that foster engagement and shared forms of participation. The Exhibition features 66 works by approximately 75 artists from 25 countries.