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The boys are provocative and daring and Martha rapidly strikes up a passionate friendship with them, soon becoming drawn into their complex and volatile love life. Peter and Pierre are going to be married though, so how will Martha fit into the future pattern of their lives? It seems they have a surprise in store for her. The moment she spies him in the local bar, Sally hatches a plan to teach him a lesson.

Sally however, has another role in mind for him. While crammed into the back of his cab, a gagged, bound, and very turned on Nathan, helplessly watches the girls enjoy themselves. Then they introduce him to Lee Tempting Tamera.

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Brynn Paulin. The Heat Is On. Tessa Kent. Soft Swap. Paisley Smith.

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Legally Binding. Tabitha Cole. Rock Page. Pleasure Bound - Complete Series Books Office Orgy. Katia Jordan. Breaking Leather. Controlled Burn. Em Petrova. Crazy About the Baumgartners. Jenna's Best Friend's Father, Collection 1. Ruby Carew. Anita Lawless. Double Exposure. Are women and feminists working within or against the status quo? How have representations of the female body, gender, and sexuality shifted as a result of feminists and women making porn? How are marginalized women—including women of color, queer and trans women, disabled women, lower and working class women, fat women, and older women—imagined, represented, or marginalized in pornography?

How are femininities and masculinities re-imagined in feminist porn? How do performers of color and minority performers address misogyny, racism, and inequality as workers in a predominantly white, male-dominated industry? Call for Papers and Presentations Deadline January 4, We welcome academics, scholars, researchers, students, activists, past and present sex workers, and others to submit proposals to present at the conference. We welcome scholars from different disciplines including feminist studies, gender and sexuality studies, ethnic studies, film and media studies, sociology, and history.

Panels: Panel coordinators should submit a word rationale for the panel as whole. For each contributor, please submit a short bio and contact information. Panels should have three to four presenters and a moderator. Send proposals to: feministpornstudies at gmail. An affair is always easy in the beginning. There's plenty of steamy sex and getting-to-know-you. Everything is for now.

Immediate gratification. No thought of the future. That's how it starts for Audrey and Lawrence. Audrey's only concern is helping an unhappy man trapped in a sexless marriage revive the virility of his youth. That approach doesn't last long. As her affection builds, she wants more than she can have, and more than Lawrence is willing to give. Over the course of twelve breathless stories, Giselle Renarde's famous femme fatale tips from the lofty realm of youthful adoration into the dark pit of jealous love.

Will her behaviour get out of hand when the affair grows beyond her heart's control? Labels: desires , erotica , life , promo , psychology , relationships. Hello Cruel World! Let's begin again, shall we? Welcome to Six Sentence Sunday! Not much set-up, here. He tore out of his top and pushed off his bottoms to reveal the hard dick Dale had come to know and love. Labels: LGBT , six sentence sunday , writing.

Meredith is a cake-baking, apron-wearing small-town Canadian mom. Surely June Cleaver would have headed for the hills at the sight! Not Meredith. Hot stuff! It is his birthday, after all When the contract expired, it moved its ass over to the BiLine at loveyoudivine Alterotica. Three sexy storm troopers I mean, storm chasers Oh, did I mention it's an erotic comedy? Labels: desires , erotica , kink , LGBT , promo. Wednesday, November 21, They Came in the Mail These did:. Sometimes I just feel totally impotent when it comes to communicating the social challenges and actual physical dangers faced by trans people.

If you come here often, you know my girlfriend is trans. We're kind of in the same blessed boat, though. We're really, really lucky--both of us. I can't remember any major hate being thrown at me for being queer. In my family, my sister's vegetarianism is miles more controversial than my queerness. Nobody gives two fucks that my primary attraction is to women.

I've mentioned before that my Sweet isn't out with her family because she perceives that they would hate her forever, but that's not at all the reaction she's had from other people--inside and out of the LGBT population. I don't want to downplay the mean-spirited remarks a few people have made to her, but I will point out that they are few and far between. Like, you can count them on one hand. This is not the case for many trans women. Not at all, at all, at all. Trans women face harrassement and danger just walking down the street.

And I'm not talking about "other people in other places. See them as clearly as you can, use your empathy, search out your characters in your own heart and write them as though they were you. They are you, you know. Every one of them, if you do it right. When I dig down into my soul to get to the heart of my characters, I feel exposed and vulnerable. Too personal. Some of the stories I have published make me feel over-exposed.

Longing is about my fear of growing old and forgetting who I am. Or my husband losing his faculties and losing his memory of me. I based the husband on my husband and on a friend who suffers from dementia. I watched this friend devolve from a vibrant and genius-level intelligent human being to a shell of his former self. Likewise, I am over 50 and my husband is over Aging is very much in the forefront of my mind, and I am terrified of losing the sense of who I am and who he is.

I deal head-on with two affairs with married men I had when I was in college. What possessed me to do something as self-hating and stupid as that? Catherine Stone, my heroine in the book, is also very selfish as well as a bit pig-headed. Growing old, losing my sense of myself, ending up alone surrounded by my dozens of cats, and becoming homeless are four of my greatest fears.

What are you afraid of? What fears drive you throughout your life? What god-awful things have you fantasized doing but would never do? What is the worst thing you can imagine happening to you? To your loved ones? Use the raw emotions behind the answers to bring your characters to life. However, you need to know that side of your character to make that person human. Escapism is a wonderful thing to enjoy, especially in erotica and erotic romance. Every woman who enjoys a good sexy story likes being swept off her feet and taken to a fantasy world.

The main characters in those stories have their weaknesses and faults, but the stories have an otherworldly and magical quality to them that helps the reader escape her mundane, daily concerns. She can get lost in another fun world for a few hours.

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When it comes to raw and uncomfortable emotion, I prefer the realistic approach, even if the story is fantasy or science fiction. Sometimes that maturation is found through trusting a partner in a vulnerable sex act. At few other times are we more vulnerable than when we are spread out, naked and exposed, before someone we care about. How will your partner treat you? Will you be cared for or abused? The secret to great sex writing—are you ready? Wait for it… the secret to great sex writing is….

Your characters are alive and they are not the sum of their parts. Let them decide. Let them speak. Let them feel. Especially let them feel. The emotion you are feeling will be conveyed on paper.


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This applies to any scene, not just sex ones, by the way. If it moves you to tears, it will move the reader as well. Never, ever stop in the middle of a sex scene. This rule also applies well to actual sex. Your mood will have shifted, and the reader will feel it.

Human beings want. Our entire culture and economy is based on desire. We lust after the things we want. We dream about them. We fantasize about them. We want. And we want. And we want some more. Our bodies and our brains are hardwired for desire. We continue to crave what we want. Our emotions rule us, especially when it comes to sex.


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Remember that. Use it. Desire is what makes the sex hot. Make your readers wait for it. Foreplay begins with seduction, not with sex acts. It begins with eye contact. It progresses, but slowly. Tease your readers. Tease yourself. Draw it out. Make it a long, slow burn. The best orgasms are the ones we wait a long time for. It is what it is.

Some writers will tell you not to ever speak of bodily fluids. Thankfully, erotica and erotic romance have come a long way, baby. We can use the words cock and pussy now, and I would encourage you to do so. Think of them like peas and carrots. They go together. A few and I mean a FEW other words can work for a little variety.

Prick or dick for example. Or cunt. They naturally arouse. This is not the time to skimp. Or orgasmS. We all hopefully! There are spasms and contractions, there is throbbing and trembling, gasps, moans—the combinations are endless. Sex can be like flying. It can be like falling. It can be like dying. Let your imagination go as wild as you would during an actual orgasm. Let yourself free. Women cannot take twelve inches of hot man meat down their throats. An average vagina is only eight inches deep. The clothes have to come off and be accounted for somehow. William Masters began his career as a gynecologist specializing in fertility problems.

Although he and his colleagues used all of their intellectual and surgical powers to help infertile couples conceive, they were forbidden to study the natural process by which human life was created. Clinical experimentation on human sexuality was not only scandalous, it was illegal in some states. Another gynecologist said that when his patients complained of unsatisfying sex lives, he had no help to offer but a warm hug, insisting that the hug did wonders. A warm hug would surely provide the cancer patient with adequate intervention? Very fortunately, William Masters had the courage to begin to study this taboo but fundamental aspect of human existence.

Many eagerly participated for just that reason I believe them—and thank you, sisters! Johnson and Masters were, for a time, media stars. Their books were best sellers and did indeed overturn a lot of myths about sexuality, female and male both. In mulling this over, I came up with a few ideas—all based on fear.

Fear of female sexual response if women were more educated about their potential. A continuing fear of the chaos that would ensue if science confirmed that the sexual urge and its satisfaction are just plain good for you. In her comment on my April column here at ERWA, Remittance Girl introduced a concise and elegant explanation for all of this fear and willed ignorance and how it affects the response to erotica, which I will now define as writing that seeks to delve deeper into the truth of sexual experience, a study that can be taken on by any sincere amateur who will nonetheless learn much about her own sexuality in the process.

That is forbidden. Is this refusal to give sex deeper meaning beyond procreation why scientific studies of sex are still severely circumscribed as well?

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Can you imagine the NIH enlisting subjects to participate in laboratory sex for the sake of a greater good? In fact, I do believe there is a link between the work of Johnson and Masters and the efforts of erotica writers to explore the complexities of the erotic experience, to give it a broader and deeper meaning, to take it seriously in the pursuit of greater knowledge, as any scientific study implicitly does. What we do as erotica writers has meaning, it is important, and it carries on the legacy of all doctors, philosophers and writers in centuries past who chose sexual knowledge and self-knowledge over fear and ignorance.

Attempts to verify this through research have resulted either in highly ambiguous results, or actually contradicted these claims. A literature review of a large number of studies has concluded that porn is not even a co-relational factor in violence against women Ferguson, As of January, , it will be illegal in the UK to possess material that contains eroticized depictions of rape.

Not possession of photographs or videos of actual rape — that was always illegal, but material containing fictional depictions of rape Zara, The first is a widespread assumption that fictionalized versions of horrific realities are interpreted by the brain in the same way as witnessing or experiencing those realities. I can accept, for instance, that small children might have difficulties telling the difference between a fictionalized, mediated version of war and war itself.

The second assumption is that repeated exposure to mediated forms of real horrors will cause us to feel neutral or even positively about them.