Synopsis: Harry Sanborn is a perennial bachelor who only dates women under the age of thirty. On what was to have Synopsis: This loose adaptation of Shakespeare's enduring but seldom-filmed comedy of merry and ribald romantic mix-ups comes from Trevor Nunn, distinguished Synopsis: It's Christmas Eve and radio talk show psychologist Marcia Fieldstone has asked her listening audience what they are wishing and Synopsis: A dissatisfied Manhattan sportswriter finds more than he expected when he searches for the biological mother of his adopted child Synopsis: One woman's rocky road to the altar gets played for laughs in this comedy, adapted from the one-woman off-Broadway show Synopsis: A socially inept young woman slowly learns to overcome her insecurities in this sleeper hit from Australia.
The unconventional Muriel Synopsis: Michael Cera and Kat Dennings star as two lonesome teens who make a love connection as they prowl the streets Synopsis: Two guys find out the hard way that sneaking into the wrong party can cause serious problems in this comedy Synopsis: Set amidst the burgeoning Seattle alternative music scene of the early '90s, Singles follows a group of twentysomethings as they Synopsis: Nancy, is done with dating. So when Jack blindly Synopsis: This offbeat romantic comedy has some rather dark underpinnings that add, rather than detract from the fun.
It is the Pages: 1 2 3 Next. Where is Say Anything? I disagree with the order, and films are missing people have already mentioned Say Anything. I have seen all of these and a few would not be on my list at all. But as lists go, and one dominated by popularity rather than quality, it is a good list. I just saw a movie that should make this list in the future. Top Box Office. Jester McGree. What's the Tomatometer? Follow Us. Adjusted Score: Critics Consensus: No consensus yet. Directed By: Emile Ardolino. Critics Consensus: Chocolat is a charmingly light-hearted fable with a lovely performance by Binoche.
Directed By: Lasse Hallstrom.
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Directed By: Audrey Wells. Critics Consensus: Pretty Woman may be a yuppie fantasy, but the film's slick comedy, soundtrack, and casting can overcome misgivings. Directed By: Garry Marshall. Critics Consensus: Sydney Pollack's Sabrina doesn't do anything the original didn't do better, but assured direction and a cast of seasoned stars make this a pleasant enough diversion.
Directed By: Sydney Pollack. Critics Consensus: Sleeping with Other People has likable leads and flashes of inspiration, but seems unwilling or unable to surround them with the truly subversive rom-com they deserve. Directed By: Leslye Headland. Critics Consensus: Though predictable and possibly too sweet, Brown Sugar is charming, well-acted, and smarter than typical rom-com fare. Directed By: Rick Famuyiwa.
Critics Consensus: A colorful and energetic adaptation of Austen's classic. Directed By: Gurinder Chadha. Critics Consensus: The plot's nothing new, but Garner shows a lovable flair for romantic comedies. Directed By: Gary Winick. Critics Consensus: A sugary tale overstuffed with too many stories. Directed By: Richard Curtis. Critics Consensus: Julia Stiles and Heath Ledger add strong performances to an unexpectedly clever script, elevating 10 Things slightly above typical teen fare.
Directed By: Gil Junger. Critics Consensus: While certainly overlong, The Five-Year Engagement benefits from the easy chemistry of its leads and a funny, romantic script with surprising depth and intelligence. Directed By: Nicholas Stoller. Critics Consensus: Laggies may not do as much with its ideas as it could, but it's buoyed by a winsome performance from Kiera Knightley, as well as Lynn Shelton's empathetic direction.
Directed By: Lynn Shelton. Critics Consensus: Eddie Murphy was in full control at this point, starkly evident in Coming to America's John Landis' coasting direction. Directed By: John Landis. Directed By: Ben Stiller. Critics Consensus: Faultless production and shining performances display the Bard's talent propitiously. Directed By: Michael Hoffman. Critics Consensus: While definitely on the fluffier side of French comedy, Heartbreaker benefits from never taking itself too seriously -- and from the performance of the ever-charming Romain Duris.
Starring: Michael J. Directed By: Michael Caton-Jones. This movie, from director Cameron Crowe and produced by James L. Brooks is far too sophisticated for such a middling finale.
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Alongside Julianne Moore, as the cheating wife he wants to win back, and with Ryan Gosling, who plays his cad coach, as well with a terrific performance from a teenage son who loves his babysitter, who in turn loves his nice-guy dad, Carell is well matched. In the late s, one could go to the theater, or one could go watch some people be executed or a bear be torn apart by dogs. Muriel Toni Collette , a daydreamer and the target of the bitchy girls she considers her friends, wants nothing more than to get out of her small town and away from her awful father, move to Sydney, and get married.
Until, of course, one night they get sent out. Hijinks—and a fake turned not-so-fake relationship—ensue. A teen sex comedy with a heart of gold, this story of four high school friends determined to have sex before they graduate was the surprise hit of Max Fischer Jason Schwartzman is a scholarship student at a private school. He gets into a contest for the affections of a widowed first grade teacher with local industrialist, and his newfound mentor, Herman Blume Bill Murray.
Several phenomenal executions come together in this film, including the ensemble cast, the just-on-this-side of believable production design, and an absolutely killer classic rock soundtrack. But what pushes it above the rest is the utter drive of both Max and Herman, as love and competition gains primacy over every aspect of their lives. Cameron Crowe has a couple of films on this list Almost Famous was close, but ultimately more coming-of-age than comedy with good reason: He understands people and how they tick.
For sheer hilarious, messy, complicated realism, Two Days in Paris takes the prize. The brilliant and surprising Julie Delpy writes, directs, and stars as Marion, a young Frenchwoman who has brought her American boyfriend Jack Adam Goldberg to her hometown en route from a trip to Venice. They struggle through misunderstandings, language barriers, cultural clashes, encounters with Marion's many ex-boyfriends, and her unruly parents played by Delpy's real-life mother and father, actors Marie Pillet and Albert Delpy, and barely come out the other side.
The moral, as Marion paraphrases Jack: "It's not easy being in a relationship, much less to truly know the other one and accept them as they are with all their flaws and baggage. Is this? Not really. The prime minister Grant falling for a junior staff member? A quiet suitor in love with the new bride Knightley of his best bud Chiwetel Ejiofor , who is apparently one of three people of color in London?
A cuckolded boyfriend Firth rebuilding his shattered life with the help of his shy housekeeper? All of it. Come on, what are you, made of stone? If that notion produces a little eye roll, get those peepers back down, and then on to the screen before you miss some laughs.
Rosario Dawson plays a New York Times journalist tasked with interviewing a hugely famous comedian, played by Chris Rock, who is attempting to take his career in a new direction courtesy of an ill-advised serious film about a Haitian revolutionary. In both cases, the journalist finds the human being inside of their famous subject, falling for them while trying not to fall for their shtick, or what they represent. There are few actors who can go toe-to-toe with Jack Nicholson. Director James L.
Brooks found a suitable sparring partner with Shirley MacLaine in Terms of Endearment and struck gold again nearly 15 years later with Helen Hunt. Hunt plays a waitress with a sick child for whom Nicholson—a mean, racist, homophobic, obsessive-compulsive writer and her regular customer in the restaurant where she waits tables—has some affection. There are more epic Disney romances one of them is on this list , but none more thoughtful. What we love about this futuristic tale of a little trash compactor, WALL-E, who falls in love with his technological better, EVE, is the considered environmental, anti-consumerist message that suffuses the dystopian love story.
Harold and Maude are separated by approximately 60 years; for the movie to hit home, for us to believe that love is truly about what we share, not what we look like or other aesthetic values, we have to believe a genuine attraction has formed. The darkly funny tale will leave you questioning just what is important to you in your own conception of love—and, moreover, in your life.
Comic books? Lesbian conversion? Best buds? Sounds like a romantic comedy made by men, for men. And it is! But Kevin Smith also managed a somewhat nuanced exploration of friendship and art, as well as of contemporary romantic standards in his rejiggering of the love triangle. Simultaneously, at a time when every other joke on Friends involved gay panic, he was portraying three-dimensional concepts of lesbian identity. She and grungy, Generation X friends—played by Steve Zahn, Janeane Garofolo, and a simmering Ethan Hawke who may be more than just a friend —are just trying to figure out who they are, and what they want in life.
Similarly, the Pink Ladies, a popular clique headed by Rizzo Stockard Channing , deliver their wiseacre lines with a fair dose of irony.
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The question this rom-com dares ask is this: In all this wedding madness, can you be the odd man out and still be happy? In short: Murphy plays the prince of a fictional African nation who is unsure about his arranged marriage, and so heads to what he suspects will be greener pastures in search of his queen. So where better to start that Queens, New York? Life's not perfect, but it can be most endearing— that's the takeaway, anyway, from Jason Reitman's nuanced teen comedy, Juno. Ellen Page gives her breakout performance as the titular pregnant-by-accident teen who soldiers on through high school while preparing to give her baby up for adoption to a painfully needy rich couple or "baby-starved wingnuts," as her father calls them.
Juno's honesty and her backward love story with the adorably nerdy Paulie Micheal Cera reminds us of the true meaning of being cool, and that heartache can resolve itself into a tender, resilient future. Finally, the shoulder pads; my god, the shoulder pads. Were doorways made wider in the s? All rights reserved. Most Shared. And you play the audience member who finds yourself won over by this true tale of true love, and doubling over every time the writer-star drops one of his devastatingly dry punchlines. A classic boy-meets-girl, girl-falls-into-coma, boy-and-girl-write-Oscar-nominated-movie-about-it rom-com, in other words.
This immensely charming Netflix original delivers a double dose of romance in a tale of two beleaguered assistants, Harper and Charlie, who set up their demanding bosses in order to get a little relief. Young stars Zoey Deutch and Glen Powell nail the rapid-fire screwball-style dialogue that makes the two pals such a perfect match. Their romance is more than well-earned.
Exuberant and vulnerable, the thenyear-old actress dominates every scene, and it would be a big mistake huge! In his debut feature, Tracy Camilla Johns is a confident artist juggling three boyfriends: a brainy yuppie Tommy Redmond Hicks , a macho model John Canada Terrell and a fast-talking bike-messenger Lee. The director uses this offbeat love quadrangle as a frame and fills it with a poetry reading, a musical number, some unabashed erotica, a little stand-up comedy, and scene after scene that celebrates being young, African-American and sexually active in a culturally flourishing New York.
Out of desperation, he dresses up as a woman to land a job on a soap opera, which only becomes more complicated when he falls for his costar Julie Jessica Lange and has to keep up the ruse. Maybe you assumed the end result would be an unholy cross between Billy Madison and Boogie Nights; what you got, however, was one of the sweetest, most romantic and rage-filled movies that either men have done to date. As a plunger salesman, Sandler stalks around in a blue suit, suffering the aggravations of his sisters. But then he finds a woman Emily Watson who recognizes the childlike sweetness at his core.
Yet Punch-Drunk Love not only finds the humor in this match; it also puts them on their own lovestruck wavelength. Humphrey Bogart, rom-com star? Sure, the man gave good banter with Lauren Bacall, but who would cast him opposite Audrey Hepburn and William Holden in a light, breezy love-triangle comedy? Billy Wilder saw something in Bogie that the rest of us did not, apparently, and thank god he did. After returning from Paris and looking like — well, like Audrey Hepburn in — the womanizer goes full Tex-Avery-wolf-eyes for her.
Just watch this scene. The duo go together like oil and vinegar. Tony Soprano as a romantic lead? Holofcener has a soft touch with even the spikiest material, making it feel lived-in and comfortable, and Enough Said might be the coziest of all her films. Not even that seriously retrograde ending can ruin it. In telling the story of a down-on-his-luck sports agent Tom Cruise desperately clinging to the only loyal people in his life — his client Cuba Gooding Jr.
See also: Say Anything. But to be honest, everybody here — including the then-undersung Regina King — had us at hello. Pairing Julia Roberts and Hugh Grant may seem like the union of rom-com royalty, complete with a script by Richard Curtis Four Weddings and a Funeral — but this is the sort of movie that revels in bringing its stars down to earth.
Grant bats his eyelids as charmingly as ever here; his sincerity and gentle wit make for a perfect grounding force. Not only does To All the Boys set a precedent for teen romantic comedies with non-white leads Lara Jean and her family are half-Korean , but it also finds the template for a new era of male romantic lead: a guy who, rather than being a charming alpha asshole who must be reformed, is just a supernice, chill dude right from the get-go. Bud Cort is Harold, a death-obsessed rich kid.
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Ruth Gordon is Maude, a septuagenarian woman who doubles as a human sunflower. They meet at a funeral — of course they do! If you want to be free, be free. Could the modern romantic comedy even exist without Hugh Grant?
And was there really any doubt whom he would pick before the final credits? The setup is pure Nineties missed connection: On Christmas Eve, newspaper reporter Annie Meg Ryan finds herself drawn to a widower Tom Hanks who she hears on a call-in radio show. As Sleepless in Seattle plays out, the viewer becomes as invested in the idea of these two folks finding each other as Annie is. John Hughes made teen comedies that had romantic elements in them it was possible to forget at times that Sixteen Candles revolved around Sam pining for Jake Ryan amidst all the nerd shenanigans and that cringeworthy Long Duk Dong thing.
What would their equally snobbish friends think? The ending is still enough to choke you up. And whenever things threaten to get too heavy, along comes Ducky in all his thrift-store-outfit, Otis-Redding-singing glory to crack you up. God bless you, Jon Cryer.
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David Huxley just wants one last bone [ ahem ] to build his brontosaurus. A simmering frustration leads, naturally, to love — but not before they spend half their time together chasing animals, from an impish terrier to a leopard named Baby the film long predated our current mania for furry thespians. What she would not give to see the sights of Rome on her own like an anonymous civilian! So her highness plays hooky from her duties and pretends to be your average tourist.
Enter reporter Gregory Peck, who takes kindness on this lost stranger … until he realizes who she is and smells a helluva scoop. Just what nobody expected in the summer of a romance from the Farrelly Brothers, in the wake of Dumb and Dumber.