Genre Jazz. Styles Post-Bop. Track Listing. Well, You Needn't.
In Poughkeepsie, a Convergence of Jazz Greats
Randy Weston. Thelonious Monk.
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Randy Weston Archive
Misterioso Thelonious Monk. I just have to follow. One moment he might be in the era of Duke Ellington, at another in the era of Thelonious Monk, or at the beginning in Africa, or in the middle of Manhattan or Bedford-Stuyvesant. Blue elaborated. Weston concurred with T.
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I loved Lulu and Wozzeck, too. You absorb it all. In the memoir, Weston is at pains to credit Liston with organizing his sound on recordings by ensembles of various sizes between Little Niles and Khepera. Interestingly, Weston has not researched the location of his ancestral home. I ask what preceded West Africa, what was the original civilization of the planet as we know it.
I claim the whole continent as mine. There are no boundaries. The larger idea is: What happened when the first African picked up a tuba? What happened when the first African touched a piano? What did he do with it? Our ancestors created this music.
A French translation recently came out, and Duke University Press had just informed Weston that it would release a paperback edition of African Rhythms in January. All this stuff is a big surprise to me. I speak like a Westerner. I went to a Western school. I wear clothes like a Westerner. Leave a comment. You are commenting using your WordPress.
Weston its Jazz Masters award , the highest accolade available to a jazz artist in the United States.
Randolph Edward Weston was born in Brooklyn on April 6, His father, Frank, was a barber and restaurateur who had emigrated from Panama and studied his African heritage with pride. His mother, Vivian Moore Weston, was a domestic worker who had grown up in Virginia. Though his parents split up when he was 3, they stayed on good terms and lived near each other in Brooklyn. Weston took classical piano lessons as a child but did not fall in love with the instrument until he started studying with a teacher who encouraged his already growing interest in jazz, particularly the music of Ellington, Count Basie and the saxophonist Coleman Hawkins.
While stationed in Okinawa, Japan, he was in charge of managing supplies, and frequently tried to share leftover materials and food with local residents, many of whom had lost their homes in the war. He became particularly close to Monk. Weston told All About Jazz in Heroin use was rampant on the jazz scene then, and Mr.
Tom Hull: Grade List: Randy Weston
Weston sometimes used the drug, though he never developed a full-blown addiction. In he left New York, seeking a fresh start in Lenox, Mass. Weston started to perform regularly, and he and Mr. Stearns collaborated on a series of round tables about the history of jazz. When he returned to Brooklyn, he was brimming with ideas about the synchrony of African tradition and jazz innovation. He is survived by his wife, Fatoumata Mbengue; three daughters, Cheryl, Pamela and Kim; seven grandchildren; six great-grandchildren; and one great-great-grandchild. A son, Azzedin, is deceased.