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But more important than the commodification of aesthetics is the way in which the collection of these objects violently disrupts their cultural vitality by removing them from their original context in order for them to figure in a French narrative of anthropological humanism. What is important to note here, because often overlooked in criticism, is how the cultural idiom of vanguard primitivism, a colonialist epistemology, and the social institutions of empire were inextricably linked during the interwar period.

In the end, Leiris tells a story of a disenchantment analogous to the one Gide relates in his travel journals, except that Gide became directly involved in the documentation and rectification of specific instances of colonial abuses which Leiris did not. Le voyage ne nous change que par moments. This admission further clarifies how the information collected during their trek across Africa was filtered through the minds of intellectuals who found conversation about the great works of the European literary tradition irresistible, even once they arrived in the long-awaited African bush.

What this statement belies is how their center of gravity remained European and that his was cause for dismay. Such a view may be ethically and conceptually appealing, but it obscures what had to be overcome on the other end of the equation by the colonized. It is very evident that cross-cultural dialogue has taken place and that it led to cultural change, aesthetic innovation, and a dynamic that transformed actors on both sides of the colonial divide.

However, the cultural adjustments that have come as a result should not be overestimated as they have been partial, incremental and are still incomplete. What is of crucial importance and too often neglected by models of cultural solipsism is the degree to which French ideas were changed by input from the colonies.

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These models of cultural interpretation are useful for foregrounding dynamics of self-interest, desire, and projection, but their focus on one-way agency cannot account for cross-cultural innovation and change over time. As an event, the Dakar-Djibouti mission suggests an elaborate process of interpreting and sorting out cultural differences.

It took time, however, for the cultural practices that were inspired by vanguard primitivism to develop into more thoughtful forms of cultural inquiry. At this point, vanguard primitivism shared by Surrealists and dissident Surrealists-turned-ethnographers stemmed from their own disillusionment with European society as French intellectuals.

The vocabulary he uses to describe the limits of his perspective in explicitly evoke Surrealism and its concept of the subject As Leiris describes his change in perspective he, like Breton, refers to his experience of the Second World War:. In the end, Leiris went farther than Breton did in updating his ideas and values with the times. B reton , A. C lark , P. C lifford , J. D avies , H. F oster , H. G riaule , M. J amin , J. K aufmann , V. L eiris , M. M iller , C. N icholl , C. P oitry , G. R abourdin , D. R oudinesco , E. S tarkie , E.

Boston University. The effects of travel are significant here because it was only once Gide found himself literally confronted with the reality of colonial methods in the present-day Congo-Brazzaville that he became politically involved in contesting French colonialism. In his case, the terms with which Gide contested the social injustices he encountered in Africa still did not take into account the culture or ethnicity of the populations colonized by France even after his to the region. This version invented a relationship similar to those found in the libertine novel of the 18th Century.

Indochina, In the Gulf of Siam, a widow and her two children barely survive by exploiting rice fields located too close to the ocean.

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The mother battles both the sea and the corrupt colonial bureaucrats with the construction of a seawall. A young lady talks about her life, her family and about her deep loneliness tinted with love and uncertainty. Memories, photographs, facsimiles of manuscripts and correspondence of Marguerite Duras. The story of the relationships between an Arab man and a French woman, the details the struggle of the working class during the time of the Algerian war in France.

A political comedy featuring Rousselin, a candidate hero who is sometimes conservative, sometimes socialist, then claims to be liberal and who is ready to offer woman and daughter for the presidency. Autobiographical novel by Romain Gary. He and his mother leave Russia for France, where they settle in Paris. As twenty years pass, they encounter social change, age, different convictions, poverty and the slow approach of World War II.

A mysterious giant woman appears and vanishes in the streets of Prague. A weeping woman whose body is the tears and sighs of mankind through history First published in , this is a ground breaking classic on the subject subject of latent homosexuality. Les nourritures terrestres, suivi de les Nouvelles Nourritures.

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Laclos, Pierre Choderlos de. Adventures of the famous gentleman thief created by Maurice Leblanc. An enduring classic of the macabre. The masked monster known as the Phantom of the Opera lives beneath the Paris Opera House, in an opulent palace in the catacombs, where he dreams of the day that he will keep beautiful singer Christine Daae forever. Romantic and suspenseful, a thrilling tale.

Leuilliot, B. The fictional universe of Maupassant in seventeen short stories. Cruel and tender, these tales describe the France of the s and the difficulties of country life. At the table of the Baron des Ravots, the one who has the privilege of eating the head of a woodcock must tell a story to the guests. All the short stories of Maupassant, with a critical section at the end. The narrator, an old painter, tells his travelling companions the story of "the most lamentable love" of his life with an Englishwoman named Harriet.

Short stories featuring animals of all kinds, domestic or wild. Edition with notes by Laure Humeau-Sermage. La Vie sexuelle de Catherine M. In Paris, the narrator, in his lonely and anxious twenties, gets hit by a car driven by a woman that the accident injures in the face. When he wakes up at the hospital, he finds a lot of cash in his room and wants to find her.

A moving investigation into the life of a Dora Bruder, a year-old Jewish girl deported to Auschwitz.

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The story of Raphael Schlemilovitch, a French Jew born just after the war. Haunted by the image of war and persecution, the hero, who is also the narrator, tells his story mixing reality and personal fictions. The narrator of the novel works for the resistance and for the French Gestapo.

A detective tries to find his own identity, lost fifteen years earlier in an accident that left him an amnesiac. After the betrayal of his mistress, a man finds consolation in a life of partying and debauchery. A confession whose bitter lesson is that, faced with the absurdity of life, indecision is the only lucid attitude. Two intimate and evocative novellas joined by the theme of a female destiny.

An idyll written in the form of a reminiscence, the story is about a hero's love for three women, all of whom he loses; a hymn to unattainable, unrequited love. The story is about a hero's love for three women, all of whom he loses; a hymn to unattainable, unrequited love.

The story begins when a paragraph in a newspaper plunges the narrator into his memories as a younger man. The first three years of a little Belgian girl raised in Japan.

Le Masque de la Mort Rouge (Edgar Allan Poe) par Jean & Tim FR

Language: French. Brand new Book. Rochefort; notice par J. Claretie]Date de l'edition originale: Ce livre est la reproduction fidele d'une oeuvre publiee avant et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.

Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal.

Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur. Seller Inventory AAV Published by Editions Fernand Nathan, Geneva Dust Jacket Condition: good. Published by Lahure About this Item: Lahure, Published by L'Illustration, Paris About this Item: L'Illustration, Paris, Contains a run of Theatre Supplements Nos.

Red Morocco spine with faux red Morocco boards.

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Condition is Very Good, exterior excellent, text and illustrations are very clean, hinges are just starting to crack, but holding well. Text in French. FB RGR. Contains a run of 12 Theatre Supplements of L'Illustration from Condition: Fine. No Jacket. Inigo Jones illustrator. Oatmeal cloth boards, Previous owner's bookplate to fep and neat signature. Condition: Assez bon. Seller Inventory ABE Published by [Paris] : Hachette About this Item: [Paris] : Hachette, Good paperback copy only; edges somewhat slightly dust-dulled and nicked.

Remains particularly well-preserved overall despite minor wear and tear.

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  • Physical description; p. Subject; Federico da Montefeltro, Duke of Urbino Original cord binding. Some small repairs at extremities, staple rust. Art nouveau design and vignettes by Robert Wilson Hyde. Nice and attractive. Published by Les Belles Lettres About this Item: Les Belles Lettres, Condition: As New. Softcover volume, measuring approximately 6" x 8. Condition: Como Nuevo. Dust Jacket Condition: Muy bien. From: Okmhistoire Montrouge, France. Condition: Neuf. Paris