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According to the article neither the Wachowskis nor Joel Silver were involved at that stage, although the studio would like to get at minimum the blessing of the Wachowskis. In May , it was reported that Chad Stahelski , who worked as stunt coordinator of several films by the Wachowskis, including the Matrix trilogy, claimed that the sisters are involved with the new Matrix film, although he was not sure whether they would be directing it. The following is a list of crew members who have participated in the making of the Matrix film series.

It included all three films, The Animatrix , and six discs of additional material, including the documentary film The Matrix Revisited , the live action footage shot for Enter the Matrix , and a promotional compilation of The Matrix Online. For this release, The Matrix was remastered under the supervision of the Wachowskis and Bill Pope to improve its picture quality and make its coloring closer to that of its sequels. At the request of the Wachowskis, as they explain in a written statement that accompanies the boxset, each of the three films is accompanied by two audio commentaries, one by philosophers who liked the films, and another by critics who did not, with the intention that viewers use them as reference points to form their own opinion.

It encases the ten discs plus a resin bust of Neo inside an acrylic glass box. The HD DVD release added a picture-in-picture video commentary to the three films and the extras the original standalone DVD releases of the films had. While The Matrix received largely positive reviews, and The Matrix Reloaded received generally positive reviews, [29] [30] the overall critical response to The Matrix Revolutions was negative. The Matrix films makes numerous references to films and literature, and to historical myths and philosophy including Buddhism , Vedanta , Advaita Hinduism , Christianity , Messianism , Judaism , Gnosticism , existentialism , obscurantism , and nihilism.

Many references to Jean Baudrillard 's Simulacra and Simulation appear in the first film. Baudrillard himself considered this a misrepresentation, [39] although Lana Wachowski claims the point the reference was making was misunderstood. Japanese director Mamoru Oshii 's Ghost in the Shell was a strong influence. G , which produced Ghost in the Shell , noted that the anime's high-quality visuals were a strong source of inspiration for the Wachowskis. He also commented, " I'd imagine that The Matrix is the kind of film that was very difficult to draw up a written proposal for to take to film studios.

Comparisons have also been made to Grant Morrison 's comic series The Invisibles ; Morrison believes that the Wachowskis essentially plagiarized his work to create the film. In addition, the similarity of the films' central concept to a device in the long-running series Doctor Who has also been noted. As in the film, the Matrix of that series introduced in the serial The Deadly Assassin is a massive computer system which one enters using a device connecting to the head, allowing users to see representations of the real world and change its laws of physics; but if killed there, they will die in reality.

Matrixism is a new religious movement inspired by the trilogy. Following the Wachowskis' coming out as transgender women some years after the release of the films, the first film and the pill analogy have also been analyzed in the context of the Wachowskis' transgender experiences. In this case, taking the red pill and living out of the Matrix symbolizes exploring one's own gender identity , starting the transition and coming out as transgender, as opposed to a continued life in the closet.

In a summary judgement for the defendants , Judge R.

41 Real (What Is Real?) Facts About The Matrix Trilogy

Gary Klausner stated "The basic premises of The Matrix Trilogy and The Immortals are so different that it would be unreasonable to find their plots substantially similar. In acknowledgment of the strong influence of Japanese anime on the Matrix series, The Animatrix was produced in to coincide with the release of The Matrix Reloaded. This is a collection of nine animated short films intended to further flesh out the concepts, history, characters and setting of the series.

The objective of The Animatrix project was to give other writers and directors the opportunity to lend their voices and interpretation to the Matrix universe; the Wachowskis conceived of and oversaw the process, and they wrote four of the segments themselves, although they were given to other directors to execute. Many of the segments were produced by notable figures from the world of Japanese animation.


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The first of three video games related to the films, it told a story running parallel to The Matrix Reloaded and featured scenes that were shot during the filming of The Matrix Reloaded and The Matrix Revolutions. Two more The Matrix video games were released in The Matrix official website also provided several original Adobe Flash -based browser games. The Matrix Comics is a set of comic books and short stories based on the series and written and illustrated by figures from the comics industry; one of the comics was written by the Wachowskis and illustrated by the films' concept artist Geof Darrow.

Most of the comics were originally presented for free on the Matrix series' website; [77] they were later republished, along with some new material, in two printed trade paperback volumes. The Matrix official website provided a free screensaver for Microsoft Windows and Mac OS X, which simulates the falling " Matrix digital rain " of the films. From Wikipedia, the free encyclopedia.

The Matrix Revisited The Animatrix See also: List of minor characters in the Matrix series. Main article: List of awards and nominations received by The Matrix franchise.

Marek Kubski MATRIX

What we were trying to achieve with the story overall was a shift, the same kind of shift that happens for Neo, that Neo goes from being in this sort of cocooned and programmed world, to having to participate in the construction of meaning to his life. And we were like, "Well, can the audience go through the three movies and experience something similar to what the main character experiences? The second movie is deconstructionist, and it assaults all of the things that you thought to be true in the first movie, and so people get very upset, and they're like "Stop attacking me!

I mean, Derrida and Foucault , these people upset us. And then the third movie is the most ambiguous, because it asks you to actually participate in the construction of meaning. Main article: The Animatrix. Film in the United States portal Australia portal Film portal.

The Library of Congress. Retrieved June 29, Den of Geek. Retrieved July 8, Paramount Pictures Acquires The U. February 15, Retrieved March 8, Burbank: Warner Bros. August 1, Archived from the original on March 5, Retrieved April 10, Retrieved March 31, Retrieved March 25, November 14, October 28, Retrieved March 15, The innovative Bullet Time visual from the first Matrix film was achieved with a rig that contained individual digital still cameras and two film cameras.

The still images were stitched together to create the shot one frame at a time. The first test shot of Bullet Time was a view of an exploding garbage can. In order to prove to Warner Brothers that they had the directorial experience required to helm The Matrix, The Wachowski Brothers wrote and directed the crime thriller Bound, which became a modest hit. Jackson all turned down the role of Morpheus before Laurence Fishburne finally accepted.

While it is difficult to imagine anyone else but Fishburne in the role, it is amusing to think of Samuel L. Jackson asking if Neo wants the blue pill or the red pill in the hilariously profane way that only Samuel L. Several philosophy texts were mandated by the Wachowski brothers as required reading for all the actors.

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In an attempt to balance the pretentiousness of all that philosophy, the scene where Neo tries and fails to jump from one building to another was modeled after Wile E. Coyote falling off a cliff. Choreographer Yuen Woo-ping did not want to work on the film, and in order to dissuade the Wachowskis, asked for an exorbitant fee.

They agreed. So to try and dissuade them further, he demanded that he have complete control over all the fight scenes and be given four months to train all the actors. Again, the Wachowskis agreed. Lacking the imagination to come up with something crazier, he went to work on the film and created some of the most memorable fight scenes in recent history. Keanu Reeves had cervical spine surgery prior to his martial arts training which required he wear a neck brace for its duration. Because of this, Keanu was not able to kick effectively so choreographer Yuen Woo-ping adjusted his moves so that Neo hardly ever throws a kick.

The Wachowskis simply asked the regulars to show up in their costumes and be themselves. And they did. The Matrix was the most celebrated sci-fi film in a year that also saw the much-anticipated release of The Phantom Menace. The key of the opening theme, comprised of strings and horn blasts and heard at the beginning of every Matrix movie, ascends by one tone in each subsequent film starting with E in The Matrix, F-sharp in The Matrix Reloaded, and ending with G-sharp in The Matrix Revolutions.

When he thumbs his nose before fighting Morpheus, Keanu Reeves cribbed a move from one of the greatest martial artists of all time: Bruce Lee. Shockingly, this defence has been used successfully several times and is a version of an insanity plea. In the first film, when Mouse is cornered during the SWAT raid, he pulls out a pair of cam-operated, electrically-driven gauge automatic shotguns with round drum magazines that are capable of firing at RPM.

The glowing green glyphs on the computer screens are actually letters and numbers in reverse and Japanese katakana characters. The Zion rave scene in The Matrix Reloaded required over 1, extras and was probably about as sweaty and gross as it looked. There are numerous Biblical references throughout the films.

It would be surpassed a year later by The Passion of the Christ, another film about a messiah who saves the world. Jet Li was the original choice for playing Seraph in The Matrix Reloaded but when he asked for the same salary as Keanu Reeves, they rewrote the role for a female and offered it to Michelle Yeoh. He deals with the ramifications of the Watergate scandal, for instance. He proclaims that the crisis of Watergate is not about right or wrong. Rather, it is about misdirection, blue smoke and mirrors.

The truth is that our political and cultural systems are devoured by corruption and murky ethics and these major scandals are nothing more than media events for our leaders and stars and heroes to make a great mythic show, to proclaim that fundamental justice and morality still pervade our society. But, this is just a simulation.

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The recent incident wherein a Chinese pilot was killed after a collision with a U. Both sides interpret the event differently. Both sides claim the other is responsible for what happened. And how do they prove their respective points? Through computer simulations showing how one craft collided with the other from whichever point of view that needs to be advocated. The media shows us military footage of similar encounters as if somehow this video image is the reality of what happened in this specific case for which we have no video image.

We go shopping just to have something to do. We buy things we do not seek of our own accord. Rather, these commodities have found us through the shopping experience and all the hype and marketing that goes into creating that experience.

What Is the Matrix?: Jean Baudrillard and Simulation in the Wachowski Brothers' Matrix Series

This is even truer today with the emergence of e-Commerce, where money no longer changes hands and goods are not present at the time of purchase. Rather, decisions are made over virtual images and electronic encryption. Our hyperreality engulfs us, according to Baudrillard, through economic and political systems, through the media in general and through advertising specifically. One can thus create advertising for work, the joy of finding work, just as one will be able to create advertising for the social.

And, today, true advertising lies therein: in the design of the social, in exaltation of the social in all its forms, in the fierce, obstinate reminder of the social, the need for which makes itself rudely felt. This might seem perplexing until you consider the effects of ads featuring Tiger Woods or Brittany Spears upon the masses or, at the other end of the spectrum, former Senator Bob Dole pushing Viagra. Telling us what is cool, what is wrong with us, what is correct, what we should do and wear and how we should be. This is obviously the illusion of a freedom of choice, a simulated freedom of choice.

We are free to choose whatever is on the menu, but we do not get to create the menu. Corporations and governments and the media and other social systems do that for us. The menu is matricized. Hyperreality allows our lives to be more readily controlled. Of all the things the matrix is it comes down to the enslavement of the human race to a scheme or simulacra of technological systems.

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This symbol can be equated to the way Baudrillard views control in our society today. He has the simulated illusion of control devised by powerful systems that use him even in that moment to their ends. Obviously, Neo is actually enslaved without knowing it when he first encounters Morpheus. Other than the rebels from Zion, no human being is in control of their life.

The matrix, that magnificent computer generated reality supported by vast and purely operational systems, is an absolute tyrant. This is more than good filmmaking. It is a metaphor for our time.